... and I keep dancing

Welcome to my Argentine Tango blog! I began this blog about a year after starting to dance Argentine Tango. That year had been both wonderful and frustrating. I started recording my progress and feelings from that point on... and both wonder and frustration have continued, only even more intensely.


Saturday, August 25, 2007

Class with Claudio Asprea

The class was on turns and different timings. I was surprised to find that most or all in the class would be considered to be some of the best dancers in the Bay Area, including some who would normally not dance with me. I found it intimidating, and wondered whether I shouldn't have been there, but I stuck with it and I think I did OK.

I was told about the class by a dancer who asked me to partner with her at an upcoming workshop. She's the second one in a few weeks who has asked me to partner, so I feel like I must have reached a new reasonable level.

Sunday, August 12, 2007

Advanced followers?

There is a category of advanced follower that I have problems with. The movement leads that are being read quite well by all intermediate ++ dancers, suddenly seem to go nowhere. She will stop in the middle of a movement that normally proceeds with no problem, and I get this "I don't know what I want me to do" attitude. Now, I realize that it is much better to stop and wait for a clear lead than trying to "guess" what the leader wants. I am the first one to explain that to beginners, but I *know* that in this case my leads pose no problem for just about every follower I dance with. I don't consider myself "advanced" but I have been dancing in classes and milongas for a full year almost every night of the week, so I have had enough experience and positive feedback to know that I have the basics down.

So, what is this about? The result for me is that I feel thrown back to complete beginner mode, and my dancing is just about paralized. Forget "musicality" and all the good stuff. As I try to puzzle out why I am suddenly speaking a "foreign language" , neither one of us has any fun at all, and of course I quickly get the killer "thank you".

The "stopping thing" is perfectly appropriate. especially in a class context, but even in a milonga if the lead is truly unclear, but here is my puzzlement. Let me explain it again with a cute story. I am Italian and I tried to speak exclusively Italian with my son from the time he was born (in this country). Of course he was also learning English from his mom and everyone else. One way I kept him on track was to act like I did not understand him when he spoke English with me. Well, by the time he was three he picked up on tha fact that I seemed to understand English perfectly well when his mom and everyone else spoke it... so he called my bluff.... and he was only three. From that point on, unfortunately, he refused to speak Italian.

Now I find myself in a similar situation as my son. I dance almost every night of the week and I can count at least 60 followers I dance with regularly, all of whom seem perfectly happy with my lead, or, at least, seem to read my intention with no problem. Then I ask one new person, and all of a sudden my lead is "unreadable". As my son noticed at three years of age ... there is something peculiar going on here.

It is possible that some followers have such a repertoir of moves that any lack of "precision" on my part will cause confusion. But here is what I think is really happening. I am not the "teacher level" caliber she was hoping or expecting and she lets me know it ... by making me feel like I don't know what I am doing... thus making sure I will not ask her again to dance. Unfortunately the strategy works very well, because I will certainly stay clear of her after that experience, but I also don't ask other dancers after I realize that I am not at their level, unless they really make eye contact with me and seem happy to be asked to dance.

What I am really getting at here is that it's OK to say no, and to choose to dance at whatever level you feel entitled to, but it's not OK to make someone feel like a complete fool so he won't ask you again. Fortunately I have only experienced this two or three times out of a full year of happy dancing, so I shouldn't complain, but I guess it has bothered me a lot.

Thursday, August 9, 2007

A Tango High

I had never seen her before, but she smiled at me from a distance. After a moment of hesitation I interpreted her smile as a "cabaseo" and I invited her to dance. Without hesitation she gave herself to the close embrace and to the dance with an abandon I had never quite experienced before. Our dance was not always smooth but it was both soft and energetic, always centered around a committed close embrace, and accepting of small slip-ups. She was always smiling and seemingly determined to make the best possible dance happen between us. I found myself becoming aroused and trying to dance in ways that would help me hide it. I'm not sure I succeeded, but she continued to seem comfortable. I thanked her at the cortina, then I danced with her once more at the final tenda. The experience was equally great.

Unfortunately she was from out of town, so I may never see her again, but I gave her my card in case she comes around again...

Tuesday, August 7, 2007

A tough teacher

I really like her, but man do I hate her! She will pick apart my slightest weight shift and make me feel like I just started dancing tango yesterday. After her class I feel like quitting altogether... But she's the only one who has been on my case about my "butt sticking out"... and I love her for that. Maybe some day I won't be struck by terror whenever she approaches me. I wonder what it would be like to date her!

Sunday, August 5, 2007

Union square

This is the second outdoor event I have been to. The previous couple of weeks I went to the sunday afternoon milonga at Golden Gate park. Typically there is a crowd of onlookers seated in front, so one feels "on stage" in a kind of performance. I confess that I like that.

Asked Newyear to dance but she turned me down. She is an advanced dancer nad has accepted dancing with me a couple of times in the past, but not for a while. I feel I have been pegged in the beginner category and now I don't have a chance to show how much I have improved. I'll talk more about these feelings later.

Turning the corner on milonga

Tonight was very good at the Belmont milonga. It wasn't very crowded so there was plenty of room to move around. I was able to launch into a milonga and add some "transpie" steps that I made up. Photogal was surprised and very complimentary. I may have turned a corner on the milonga... She kept asking where I had taken milonga classes but, oddly, except for a couple of classes, milonga has been "coming" to me very naturally. I wish I could say the same for regular tango.

Speaking of Milonga... here is a great performance (I have a long way to go!)



Dancing with Misterycat was sweet as usual. She has a low energy, almost "depressed" but sweet quality and smile that intreague me, but I am worried that she may be dealing with real problems. Unfortunately she has been very reserved about her life, so I am just happpy to dance with her whenever I see her at the Belmont milonga.